One of my cherished knitting-related blogs,
Hoxton Handmade, is a constant source of fascination. I am in envy of the Electric Sheep's knitting speed, astounded by her needle competence and always charmed by her
podcasts. Whilst perusing her list of favourites I found, in the bottom right
hand corner, an intriguing hyperlink:
How could I not click?
So I did. And I think you should too. I
shall post up here a couple of particular stunners (and leave out the X-rated
ones), for example poodle shampoo covers and the Taliban-esque beards for babies.
The one that really got me thinking though,
was this:
There is a famous art historian called Aby Warburg. Born in the 19th Century, he went on to establish one of
the most amazing research centres in the world; the Warburg Institute. He
collected books and photographic images on all things Visual and Cultural, with
a date range from Classical Antiquity to the Early Modern period. It’s the sort
of place that makes an academic go quite breathless and pink-cheeked at the
thought.
But why did he do it? Aby had spotted what
I call “cultural echoes” through history. Particular images, gestures, figures
that pop up in sculpture, painting, frescoes, manuscript illustrations, printed
material and onwards into modern media such as film as music videos. Sometimes
these were conscious manifestations, sometimes not.
The big question is; how did different
audiences at different periods respond to these images and ideas? Warburg's triumph was the visual presentation of this concept in the Mnemosyne Atlas. To give a rather rough
and ready example, just think of the Greek Gods. From Antiquity through the Medieval
Period to the Renaissance and up until the recent production of Clash of the
Titans, (*shudder* Awful film) Zeus et al
still have resonance and reflect the mores of any particular society at any
given time.
So what has this got to do with headless, angel
washing up liquid covers?
Think about it. A couple of thousand years ago, western civilisation
started with winged zephyrs and bacchanalian helpers, progressed to ivory angels in Byzantium, Medieval Annunciations
in Christendom, Renaissance cherubim and elegant, watchful witnesses of the
17th and 18th Centuries. For a quick glance, type “angels”
as your key word into the Warburg’s Iconographic Database.
And now compare that visual selection with
the headless, angel
washing up liquid covers.
If ever one
needed a sign –albeit an unconscious one, a horribly, horribly distorted
cultural echo - that civilisation is possibly coming to a tragic end, I think
these may be it.
They also raise
another, more pressing question (one which I shall return to with some
frequency):
Will crochet
ever become cool?